Wire #423

9.20

The Wire covers a wide range of alternative and underground musics. The Wire celebrates and interrogates the most visionary and inspiring, subversive and radical, marginalised and undervalued musicians on the planet, past and present, in the realms of avant rock, electronica, hiphop, new jazz, modern composition, traditional musics and beyond.

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On the cover: Tanya Tagaq: Through extended vocal technique and dedication to oral tradition, the Inuk composer and performer draws attention to Canada’s destructive colonial past. By Phil England. Also in this issue: A Tribe Called Red: First Nation resistance takes on sonic force and physical form in the performances and recordings of the radical Canadian collective. By Marcus Boon.The Primer: William Parker: Over a career of nearly 50 years, the bassist, composer, improvisor, poet and theorist has taken numerous paths to enlightenment. Here we present a user’s guide to his work. By Daniel Spicer. Plus: Invisible Jukebox with Dylan CarlsonAngel MarcloidSholto DobieAva MendozaJulia Reidy, Global Ear: Bristol, Collateral Damage by tanner menard, Epiphanies by Ian Rawes, The Inner Sleeve chosen by Wayne Shorter, 100s of reviews and more.

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